Gray suit, beer in his hand, laughing with his whole face and looking straight into my lens. Completely unprompted. He caught me trying to catch a shot. Nobody asked him to do that. Nobody told him where to stand. A second later the moment was over, and the party and the conversation carried on.
Being in the right place at the right time is my craft.
It used to be that only photographers had the tools to take pictures. Now we all carry a camera in our pocket, and we all know how to use it to some extent. Catching that split second isn't a coincidence. It's practice, and it's an art.
What's Left When the Party Is Over
The tables get folded and everybody goes home, and from then on the night only exists in people's memories, which start to blur fast.
The photos are what stay. Years from now someone opens that gallery and the room comes back: who was there, who couldn't stop laughing, who hugged who with their eyes closed.
Four friends in a garden, one of them pointing, the whole group gone. Nobody will remember what was said, and it doesn't matter, because you can hear that laugh from here. A long hug with eyes closed, the kind where neither one wants to be the first to let go.
The Frame You Could Caption a Thousand Different Ways
In event photography, I know a frame is good when I could turn it into a meme or give it several different captions. That only happens when it tells a story, and the caption gives that story its context.
A woman turning back with her fist up, shouting with delight. A couple kissing with his paddle number still in his hand. The man in the bowler hat and the white beard, reaching across for the high five. A forest of paddles going up and one woman in the front row laughing through it.
Then comes the part nobody at the party ever sees: where I stand, what I leave out of the frame, how I edit the color so the photo feels the way the room felt.
Enough There, and Enough Not There
I need to be there enough that people know a camera might find them, and even then, not always. And I need to be not there enough that I don't stop the reaction or the gesture that was about to happen anyway.
It's a balance, and it takes the whole night. I'm usually one of the first to arrive and one of the last to leave, and the twenty minutes after everyone starts to relax are sometimes the best part. Carrie, who hired me for events at her business, wrote on Google that I "made everyone feel at ease and beautifully seen."
A whole table reaching in over the flowers for the same toast. Two people dancing right there in front of the band. A guitarist with his head down, somewhere else entirely.
None of them were thinking about photos. They were in it, which is the best place to be and the worst place to take a picture from. So I take it for them.
When you have a night coming up that you'd want to go back to, tell me about it. You can see more of my event work here, and my rates are on the services page.
A Few Questions About Event Coverage
How do you photograph guests without making them pose?
Mostly I don't ask. I stay close enough that people know a camera might find them, and far enough that I don't stop what was about to happen anyway.
How long do you stay?
As long as you book me for. Coverage starts at two hours for $990, then $400 for each additional hour.
How many photos do I get, and how soon?
70+ edited photos for every hour of coverage, in color and black and white, in a private online gallery within 2 weeks. Rush delivery is available for events.
Mariano Alvarez Photography covers events, personal branding, couples and family sessions across Orange County, including Newport Beach, Laguna Beach, Dana Point, San Clemente, Huntington Beach and Irvine. I photograph galas, fundraisers, corporate parties and community celebrations, and I'm a preferred photographer at the Environmental Nature Center in Newport Beach. More about me here.
Have an event coming up? Let's talk about it.